Téa Obreht’s novels teem with conflicting narratives, treacherous landscapes and speculative fictions ... Obreht’s portrayal of Colin Yard – his gradual, desperate slide from favoured son to villain of the piece – is a brilliant piece of theatre ... Throughout all three of her interwoven timelines, Obreht raises similarly searching questions about courage and cowardice, idealism and pragmatism, and most of all about how history is recounted and who gets to own it ... The novel does have its flaws. While the eventual revelations about Nina’s relationship with the ghastly Ben feel devastatingly real, it is difficult to ignore the loopholes in logic that characterize Nina’s portions of the narrative...None of this detracts from the fact that Sunrise is an engrossing, original and thought-provoking novel, effortlessly readable and beautifully told. Given that most of what we come to know about Vargas is itself a series of fictions, it perhaps makes better sense to frame Nina’s miraculous survival as similarly mythic.
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