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Homebound: A Novel

Homebound is sentimental, soft-hearted and guileless – the adjectives critics tend to use sneeringly, as though kindness were easy. It’s the sort of book that might have kept my younger self company. I’m glad this generation will have it.
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If the marketing copy for Portia Elan’s Homebound seems opaque, it’s because even the briefest plot summary risks spoilers, and part of the pleasure of this book lies in the way its storylines come together ... The rare book to break through my multiple-timeline fatigue ... In a moment when I often find myself reading for escape—reading, in essence, to leave this reality for a little while—Homebound made me want to stay.
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Even in its spec­u­la­tive reach, it keeps cir­cling famil­iar Jew­ish con­cerns: how peo­ple endure, how tra­di­tion adapts, and how sto­ries rever­ber­ate across time ... Read­ers drawn to struc­tural­ly ambi­tious, mul­ti-time­line fic­tion will like­ly be more ful­ly in step with the novel’s rhythm, and more patient with its delayed con­ver­gence. Read­ers might wish they had more space to live inside each char­ac­ter and world, though the scale of a nov­el like this and the coor­di­na­tion it requires makes that under­stand­ably challenging ... Impres­sive in its specifici­ty ... The future she imag­ines feels, unnerv­ing­ly, less like inven­tion than an exten­sion — of the flood­ing, addic­tion, eco­nom­ic pre­car­i­ty, and fray­ing com­mu­ni­ty in the present.
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