The overheated circuits of teen-age life are well-worn ground for a coming-of-age story, yet Dillon’s approach is anything but. The writer and editor has become known for a kind of memoir-inflected approach to criticism, publishing a series of entrancing books that are as much about questions of form and technique as they are about art’s power to move and transform ... You’ll drift in and out of Ambivalence, and muse on your own formative inputs ... The book reminded me of how much of youth is spent pondering time, waiting, ready for the world beyond and yet slightly terrified of what’s actually out there. It’s an ode to a kind of boredom that feels desperate, endless, and, in retrospect, luxurious.
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